Twist And Shout

Blue Note Tone Poet

Blue Note Tone Poet

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John Coltrane's first great masterpiece, Blue Train, is the legendary saxophonist's sole album as a leader for Blue Note Records and is now available in its original mono form. Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.

Also Available:Stereo 2LPand2CD

John Coltrane - Blue Train (Blue Note Tone Poet Series) [Mono LP]
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On September 15, 1957, John Coltrane went into Rudy Van Gelder's living room studio in Hackensack, New Jersey and recorded his first great masterpiece: Blue Train. It would be the legendary saxophonist's sole album as a leader for Blue Note, a locomotive five-track album fueled by the bluesy title track that featured a dynamic six-piece band with Lee Morgan on trumpet, Curtis Fuller on trombone, Kenny Drew on piano, Paul Chambers on bass, and Philly Joe Jones on drums. To mark the 65th anniversary of the album's recording, Blue Train will be released in two special editions as part of Blue Note's acclaimed Tone Poet Audiophile Vinyl Reissue Series: a 1-LP mono pressing of the original album and a 2-LP stereo pressing of Blue Train: The Complete Masters which includes a second disc of alternate and incomplete takes, four of which have never been released before, and none of which have been available previously on vinyl. The 2-LP set comes with a bound booklet featuring session photos by Francis Wolff and an essay by Coltrane expert Ashley Kahn.

Both Tone Poet Vinyl Editions were produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in deluxe gatefold tip-on jackets.

FEATURES:

  • 180g Vinyl
  • Double LP
  • Stereo
  • Second LP of Alternate & Incomplete Takes - First Time on Vinyl
  • Four Previously Unreleased Tracks
  • Bound Booklet - Session Photos by Francis Wolff & Essay by Coltrane Expert Ashley Kahn
  • Tone Poet Audiophile Vinyl Reissue Series
  • Mastered by Kevin Gray at Cohearent Audio
  • Mastered from Original Analog Master Tapes
  • Produced by Joe Harley
  • Pressed at RTI
  • Deluxe Gatefold Tip-On Jacket

DEETS:

  • Tone Poet Audiophile Vinyl Reissue Series.
  • Mastered by Kevin Gray at Cohearent Audio.
  • Mastered Directly from the Original Analog Master Tapes!
  • Pressed At RTI.

MUSICIANS:

Paul Chambers

Philly Joe Jones

Kenny Drew

John Coltrane

Curtis Fuller

Lee Morgan

Also Available:Mono LPand2CD

John Coltrane - Blue Train: The Complete Masters (Blue Note Tone Poet Series) [Stereo 2LP]
$54.98 Video
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Recorded in May 1964, shortly after Hubbard left Art Blakey's Jazz Messengers, the quintet - with James Spaulding, Ronnie Mathews, Eddie Khan, and Joe Chambers - moves assuredly from free-form playing and modal jazz to the blues and balladry on this 6-song set of originals by Hubbard and Chambers. Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.
Freddie Hubbard - Breaking Point (Blue Note Tone Poet Series) [LP]
$41.99
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Gerald Wilson's 1962 album, Moment of Truth, features his dynamic big band on an action-packed 9-song set (7 of which were composed by Wilson) with highlights including the swaggering blues of the title track, the irrepressible Latin groove of "Viva Tirado," and a fleet-footed version of Miles Davis's "Milestones." Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.

Gerald Wilson - Moment Of Truth (Blue Note Tone Poet Series) [LP]
$41.99
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Hank Mobley / CURTAIN CALL Originally released on the Japanese Blue Note label in 1984. It was recorded on August 18, 1957 and features Mobley, trumpeter Kenny Dorham, bassist Jimmy Rowser, pianist Sonny Clark, and drummer Art Taylor.
Hank Mobley - Curtain Call (Blue Note Tone Poet Series) [LP]
$38.98
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Recorded in 1962 (but not released until 1979), Jackie McLean's album, Tippin' the Scales, found the Blue Note stalwart leading a quartet with Sonny Clark, Butch Warren, and Art Taylor through a stellar set of hard bop including originals by McLean, Clark, and Vernon Duke's "Cabin in the Sky." Produced by Joe Harley and mastered by Kevin Gray. Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.
Jackie Mclean - Tippin' The Scales [Blue Note Tone Poet Series LP]
$38.98
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Sonny Red's, Out of the Blue, is a gem of the Blue Note catalog and deserving of much wider recognition. The alto saxophonist's lone album for the label was recorded in two sessions with Wynton Kelly on piano, Sam Jones and Paul Chambers on bass, plus Roy Brooks and Jimmy Cobb on drums. Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.
Sonny Red - Out Of The Blue (Blue Note Tone Poet Series) [LP]
$38.98
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Limited 180gm vinyl LP pressing housed in gatefold packaging. Guitarist Grant Green explored Latin and Brazilian influences on his highly enjoyable 1962 album, The Latin Bit, featuring Johnny Acea on piano, Wendell Marshall on bass, Willie Bobo on drums, Carlos "Patato" Valdes on conga, and Garvin Masseaux on chekere. Blue Note Tone Poet Series features all-analog, remastered sound.
Grant Green - Latin Bit
$38.98
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Limited 180gm vinyl LP pressing in gatefold jacket. Stanley Turrentine's 1966 soul jazz classic finds a deep, bluesy groove that doesn't let up from start to finish. Joining him are trumpeter Blue Mitchell, baritone saxophonist Pepper Adams, alto saxophonist James Spaulding, and drummer Mickey Roker. Highlights include soulful covers of Ray Charles' "What Could I Do Without You," and "Feeling Good," which Nina Simone recorded the year before. Blue Note Tone Poet Series features all-analog, remastered sound.
Stanley Turrentine - Rough & Tumble
$38.98
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Limited 180gm vinyl LP pressing in gatefold jacket. For Django, recorded for Pacific Jazz in 1964, has long been considered a classic by jazz guitarist Joe Pass. He pays tribute to Django Reinhardt without attempting to emulate him in any way. Rather, he honors him by using his own style with fellow guitarist John Pisano as well as bassist Jim Hughart and drummer Colin Bailey. Highlights include "Rosetta," "Nuages," and "Fleur D' Ennui." Blue Note Tone Poet Series features all-analog, remastered sound.
Joe Pass - For Django (Blue Note Tone Poet Series) [LP]
$38.98
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Coleman shook the jazz world when he arrived at the Five Spot Café in New York City in 1959 and began his run of seminal albums on Atlantic that laid the foundation for the free jazz movement to come. After a period of disillusionment during which he withdrew from public music making, Coleman re-emerged on Blue Note in 1966 and began writing an intriguing new chapter of his legendary career.

"I have been an Ornette Coleman fanatic going back to the late-60s, in fact going back to the time the records in this set were originally recorded for Blue Note," says Harley. "Turns out Don Was is as big an Ornette fan as me, so it was only a matter of time before we put our heads together to plan this boxset. I love those early records Ornette did for Atlantic. who doesn't? But I feel that Ornette's later recordings for Blue Note are every bit as vital and important to gain a more complete understanding

"It is true that the most shattering of his wails could wake the proverbial dead," writes Conrad in his essay. "But something happened to Coleman's tone while he was woodshedding those two years. In the Golden Circle it is still penetrating but more pure. His cries are even more vocal, more human. His control of microtones provides new resources of expression. He can now make the same note sound ecstatic or despairing or anywhere in between, through microtonal nuance."

At The `Golden Circle' Stockholm, Vol. 1 (1965)

At The `Golden Circle' Stockholm, Vol. 2 (1965)

In late 1965, Coleman embarked on his first tour of Europe with a new trio featuring David Izenzon on bass and Charles Moffett on drums. Two nights of the trio's two-week engagement at the Golden Circle (Gyllene Cirkeln) in Stockholm, Sweden were recorded and released across two volumes the following year. The freewheeling live sets were electrifying and found the saxophonist jumping off into sound explorations on the violin and trumpet as well.

The Empty Foxhole (1966)

Coleman's first studio recording for Blue Note was his first studio album in four years and he once again confounded expectations by selecting his 10-year-old son Denardo Coleman to play drums on the date alongside bassist Charlie Haden. The music is raw and exploratory with solemn ruminations and bursts of unbridled joy. The striking album cover features a painting by Ornette himself.

New And Old Gospel (1967)

Coleman's next appearance on a Blue Note album came in a rare sideman role on this explosive session led by alto saxophonist Jackie McLean. McLean had already waded into the avant-garde on prior Blue Note dates like One Step Beyond and Destination. Out!, but he went even deeper here with Coleman featured entirely on trumpet along with LaMont Johnson on piano, Scott Holt on bass, and Billy Higgins on drums. Following an extended suite by McLean on Side 1, the second half of the program featured two Coleman c

New York Is Now! (1968)

Love Call (1968)

On April 29 and May 7, 1968, Coleman brought a dynamic quartet with tenor saxophonist Dewey Redman, bassist Jimmy Garrison, and drummer Elvin Jones into the studio to record what would yield his final two albums for Blue Note. The alchemy of this group, which combined Coleman's first-time two-saxophone pairing with a rhythm team deeply associated with John Coltrane, produced thrilling results.

BLUE NOTE RECORDS - ROUND TRIP - THE COMPLETE ORNETTE COLEMAN

Ornette Coleman - Round Trip - The Complete Ornette Coleman (Box)
$199.99

        
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