Return to Greendale is the next installment in Neil Young’s Performance Series (#16) and features a concert (audio & on film) from the historic and unique 2003 tour supporting the release of the Neil Young with Crazy Horse album Greendale.
On the 2003 tour, Neil Young and Crazy Horse were joined on stage by a large cast of singers and actors to perform the story Neil Young wrote about the small town of Greendale and how a dramatic event affects the people living there. The ten songs from the powerful original album are performed in sequence, with the cast speaking the sung words - adding to the intensity of the performance.
The live album Return to Greendale is released on 11/6/20 in several formats: Double vinyl, a 2 CD set, and a limited-edition deluxe box set that includes a Blu-ray of the full concert, a DVD of Inside Greendale (the making of the album documentary), 2 LPs and 2 CDs.
The film of the ambitious live show captures the vibrancy of Neil Young and Crazy Horse on stage in a unique multi-media experience. It seamlessly blends together the live performance, the actors portraying each song, with the story occasionally enhanced by scenes from the Greendale - The Movie.
Both the live concert film and the Inside Greendale documentary are directed by Bernard Shakey and produced by L. A. Johnson.
Two 140 Gram LPs, Transparent Inner Sleeves, 16 Page 12”x 12” booklet, Gatefold Jacket, Side 4 Etching
Letter To You is Bruce Springsteen’s new studio album with the E Street Band, and is a rock album fueled by the band's heart-stopping, house-rocking signature sound. Recorded at his home studio in New Jersey, Letter To You is Springsteen’s 20th studio album, and is his first album including the E Street Band since 2012’s High Hopes and their first performances together since 2016’s The River Tour.
“I love the emotional nature of Letter To You,” says Springsteen. “And I love the sound of the E Street Band playing completely live in the studio, in a way we’ve never done before, and with no overdubs. We made the album in only five days, and it turned out to be one of the greatest recording experiences I’ve ever had.”
Letter to You includes nine recently written Springsteen songs, as well as new recordings of three of his legendary, but previously unreleased, compositions from the 1970s, “Janey Needs A Shooter,” “If I Was The Priest,” and “Song For Orphans.” Springsteen is joined on Letter To You by Roy Bittan, Nils Lofgren, Patti Scialfa, Garry Tallent, Stevie Van Zandt, Max Weinberg, Charlie Giordano and Jake Clemons. The album was produced by Ron Aniello with Bruce Springsteen, mixed by Bob Clearmountain and mastered by Bob Ludwig.
The 3 LP edition contains the original 1994 Wildflowers album (remastered) with 15 tracks on two LPs. LP 3 contains All The Rest, the 10 songs from the Wildflowers sessions that were left off the album, 5 of which are previously unreleased.
2LP Translucent Ruby Red Vinyl with Embossed Cover
The first release from Mr. Bungle since 1999. The Raging Wrath Of The Easter Bunny Demo is a re-recording of the band's 1986 high school thrash metal demo along with songs written then, but never recorded. The record also features covers of classics by S.O.D. and Corrosion Of Conformity. This version of Mr. Bungle is original members Mike Patton, Trey Spruance and Trevor Dunn, joined by Scott Ian of Anthrax and Dave Lombardo of Slayer/Dead Cross
Beastie Boys Music is a companion piece to the critically acclaimed documentary Beastie Boys Story and the group's best seller Beastie Boys Book. The album features 20 Beastie Boys classics spanning the band's 30+ year career. Pressed on 2LP Black Vinyl.
Released in October 2000, Linkin Park’s groundbreaking debut album Hybrid Theory is a melting pot of heavy alternative rock, hip-hop and electronic flourishes that inspired a new genre of music and a generation of dedicated fans, who continue to be loyal followers of the band. Additionally, the band’s sound influenced many young bands who related to the intense and emotional musical style. Hybrid Theory was the best-selling album of 2001 in the US and has since exceeded 11 million album sales in the US, qualifying for the rare Billboard “Diamond” award.
Hybrid Theory’s success was supported by intensive touring, and three successful singles: “One Step Closer,” “Crawling,” and “In The End.” The band won their first Grammy Award for “Crawling” as Best Rock Performance.
To celebrate 20 years since the original release, Hybrid Theory: 20th Anniversary Edition will be released on October 9th, 2020. The flagship format is a super-deluxe edition box set that includes unreleased and hard-to-find material on CD, vinyl and DVD. The box set also includes a lavishly illustrated 80-page book with contributions from the band and many previously unseen photographs, plus a replica tour laminate,an oversize poster of Chester Bennington, and 3 lithographs of new artwork supplied by Mike Shinoda, Joe Hahn and Frank Maddocks (the art director on the original release, and this anniversary edition).
Song Machine, Season One is Gorillaz’ newest concept which started in January 2020, releasing brand new material episodically - as and when it happens – and has continued throughout the year. The ongoing and ever-evolving process has seen our favourite characters joined by an expanding roster of collaborators captured live in Kong Studios and beyond. The result is an expansive collection of 17 tracks embracing a myriad of sounds, styles, genres and attitudes from a breath-taking line-up of guest artists including Beck, Elton John, Fatoumata Diawara, Georgia, Kano, Leee John, Octavian, Peter Hook, Robert Smith, Roxani Arias, ScHoolboy Q, Slaves, Slowthai, St Vincent and 6LACK, as well as CHAI, EARTHGANG, Goldlink, Joan As Police Woman, JPEGMAFIA, Moonchild Sanelly, Unknown Mortal Orchestra, Skepta and Tony Allen.
For over two decades, Atmosphere has maintained a course of rigorous output, releasing over two dozen studio albums, EP's and collaborative side projects in as many years. In that time, the venerated duo have built a legacy out of bringing honesty, humility and vulnerability to the forefront of their music, continually challenging themselves to evolve without straying too far from their roots. Slug has proven masterful at storytelling and writing compelling narratives, leaving a trail of his own influence while paying homage to the rappers and songwriters that shaped him. Ant has skillfully molded the soundtracks with inspiration from soul, funk, rock, reggae, and the wizardry of hip-hop's pioneering producers, creating his own trademark sounds while providing the pulse for songs about life, love, stress and setbacks. At it's essence, Atmosphere has been a musical shepherd, and with each new album comes a new journey as they guide generations of listeners through this thing called life.
Much like everything else in 2020 though, Atmosphere's new album, The Day Before Halloween, is something of a detour from the anticipated path. Cutting loose and eschewing their established norms, Slug and Ant have delivered the anti-pop answer to the content and compositions of previous albums. Over razor-sharp drums and distorted synths, The Day Before Halloween explores the life of a visual artist living in an antiquated surveillance state. It's menacing. It's murky. It's George Orwell meets Keith Haring at a video arcade, on New Year's Day, 1985. If you've entertained any theories that we've slipped into an alternate reality, you may find further evidence in this dark and brooding release of future's past.
It's been four years since Sweatbox Dynasty, the fourth solo LP from Pennsylvanian experimentalist Tobacco. In that time, Tom Fec's project has toured with Nine Inch Nails, provided the theme song to HBO series Silicon Valley, and teamed with Aesop Rock for a collaborative album as Malibu Ken. He now returns to Ghostly International for Hot Wet & Sassy, a full-length album oozing with his most playful and approachable songs to date, which, conversely, express notions of antilove, self-hate, and disappointment in others.
Pop impulses have always surged beneath the surface of his sound - blown-out bass, analog synths, drum machines, and Fec's unmistakable analog gurgle and hiss - here they've bubbled to the top. "I feel like it's the most I've been able to refine what I'm doing," says Fec. "For the past decade I've had this motherfxcker on my shoulder that makes me pick away at structure and melody. Purposely covering up moments because I can. That really came to a peak on Sweatbox. So I wanted the opposite this time. Write the songs without ripping them in half. I went from 'what would the Butthole Surfers do?' to 'what would Cyndi Lauper do?'" And what would Trent Reznor do? Fec found his answer straight from the source. Their collaborative track, "Babysitter," fuses their voices into one deranged presence: "I'm the new babysitter," they alert, before pivoting into a menacingly saccharine bridge. The track tumbles on a tom fill, then a punishing synth line rips into a cacophony of drums and feedback like a lawnmower gnawing through the living room carpet. "This was new for me, but I wanted to write a song that was everything I am and have been, and then like one notch further. Trent was the notch further," adds Fec. The collaboration is a work of alchemy seamlessly blending Tobacco's trademarks with Reznor's industrial rust and sonic gore. Downcast, sincere, woozy, "Jinmenken" might be the closest Fec has come to a ballad. "Maybe you can find me down the line," his vocoded delivery bounces along the beat. "It's me trying to write a Jets song," says Fec. Album opener "Centaur Skin" presents the stylistic concoction that has been the Tobacco MO from the beginning, crossing dreamy melodic shimmer with the sinister tones and slime. This has become easier to digest, but also far more potent. A motorik beat steadies the track's galloping arpeggio, acting as a springboard for Fec's dark ruminations as well as an uncharacteristically crystalline synth solo. "It's my feel good self hate anthem. Don't worry, I'm good. It was fun to write." Tobacco hasn't been reinvented, but it has been refined and distilled. Brighter, sharper, and far more dangerous because of it. Hot Wet & Sassy is practically staring at the sun without shades and feeling those corneas roast. Everything looks good as your vision fades. The pop-forward structures exert their undeniable hooks with baneful precision, pulling listeners into their clutches; once there, sugary melody rewards submission.
Recorded in Helsinki, Paris & NY, Hey Clockface is the latest Elvis Costello & Sebastian Krys Production, following their collaboration on Elvis Costello and The Imposters GRAMMY-winning album Look Now. Hey Clockface also features contributions from Bill Frisell, Nels Cline and Steve Nieve. “I wanted the record to be vivid, whether the songs demanded playing that was loud and jagged or intimate and beautiful,” Costello said of the project’s emotional and dynamic range. Indie Transparent Red 2LP in gatefold jacket packaging.