Uchis’ most immersive project yet—a bottomless plunge into the waters of love and loss. The fluid groove of “Blue” feels like a Sade B-side, while “Love Between” weaves doo-wop nostalgia into crystalline romantic reverie. Often, it’s her smoldering voice that holds all the dreaminess together. It’s never maximalist, always utilitarian, molded to fit revenge and desire in equal measure.

Technical Death Metal is a notoriously crowded arena which is why it’s exciting to see a band like Entheos ascend by becoming a wholly more progressive and experimental entity. No longer needing to compromise their vision, the increased diversity in almost every facet has only seen this band grow exponentially into an exciting and creative force. The more tantalizing aspect is that they can go even further.

Four master collaborators at the peak of their craft with near-telepathic cohesion. Silver Saturdays features 10 new songs that pay homage to a 25-year journey. All four members lend their distinctive vocals. Their concise, meticulously crafted songwriting is interwoven with Lebo’s soaring acoustic-electric guitar. Gill’s tasty keyboard comping and Adams’ bass groove married to Lipp’s rhythmic flourishes.

The third solo album from the Seattle native, rapper and songwriter best known as one-half of duo Macklemore & Ryan Lewis. Includes "Chant (featuring Tones And I), "Faithful" (featuring NLE Choppa), "Heroes" (featuring DJ Premier – considered one of the greatest hip hop producers of all time), and "Maniac" (featuring Windsor). *Available on Indie Exclusive vinyl with alternate cover*

The 36-song mega collection brings together Wallen’s many musical influences including country, alternative and hip-hop, and features with country bigwigs Eric Church, Hardy and Ernest. Of the hefty length, Wallen says, “there are 36 songs on this album because we just kept exploring with fresh lyrics, music and production ideas and these are the songs that felt right to me.”

Over the course of the record traversing between oddball dance-punk and noise pop, Gallo shares detailed anecdotes and takes on male entitlement, the age of anxiety, apathy vs. action, narcissism, retail therapy, xenophobia, the dread of future generations, right wing extremists in giant pickup trucks, capitalism, and climate change. it’s the opposite of background music - unavoidable, urgent, in your face.

Alabama native Drayton Farley has as honest a voice as you're likely to hear in this burgeoning scene of country, folk, roots, and Americana music we're all wrapped up in. He sings as deeply about the love he holds as the love he's lost and there's something so broken-in and comfortable about that Southern inflection that every song feels like coming home.

Drummer and composer Kendrick Scott returns with his first compositional treatment of trio context: saxophone, bass, and drums. Corridors unveils an exposed rumination from the Houston-born artist and his acclaimed collaborators: saxophonist Walter Smith III and bassist Reuben Rogers. Born during the pandemic lockdown, the record focuses on posing outward questions instead of inward contemplation.

Gorillaz’ eighth studio album is an energetic, upbeat, genre-expansive collection featuring yet another stellar line-up of artist collaborators: Thundercat, Tame Impala, Bad Bunny, Stevie Nicks, Adeleye Omotayo, Bootie Brown and Beck. Produced by Gorillaz, Remi Kabaka Jr. and eight-time Grammy Award-winning producer / multi-instrumentalist / songwriter extraordinaire Greg Kurstin.

By adapting songs and guitar parts that had been left over from the group’s previous two albums, Lucero was able to construct one of its most comprehensive works to date. Should’ve Learned by Now bridges the gap musically between “old Lucero” and “new Lucero” in a manner which affixes the band’s position as the perfect intersection of punk initiative with hard-earned artistry.

Bless This Mess marks both a divergence from and deepening of Meg Remy's songbook, more at peace with her restless truths and moods. Long-time collaborator Maximilian Turnbull plays a key role facilitating these fluid muses. As artists and partners their rapport at this point is thoroughly symbiotic, able to tap into subtle veins of humor and heaviness, rhythm, and reverie.

That the Raincoats bassist pieced her first solo album together over two decades is only suggested through its stylistic diversity: alt-rock scuzz sits among Velvet Underground drones and digi-dub calls to action. And yet I Play My Bass Loud coheres through the sheer magnetism of Birch's personality and playing, and her unrelenting commitment to examining the forces that have acted upon women since the dawn of time.

The Pretty Reckless’ first proper set of acoustic recordings brings together versions of previously released songs as well as covers and other re-imaginings. The 11-track release is partially a response to fans' love for the band's acoustic performances, as well as a way to offer nuggets that didn't make their other records.

Pierce The Veil are known for masterfully blending post-hardcore punk and prog. Now on their fifth studio album, the band is showing more ambition and experimentation than ever before. Jaws of Life shows they aren't afraid to dip their toes into new sounds and styles. Five albums in, Pierce The Veil are still at the beginning of their journey and discovery as a band.