Featuring two of the band’s most well-known songs, “Should I Stay Or Should I Go” and “Rock The Casbah” Combat Rock is being re-released as a 180g 3LP special edition, with an additional 12-tracks compiled by band. The People’s Hall charts the period from what was their last single right up to the release of Combat Rock, including unheard, rare and early versions of tracks. Also includes rare Pennie Smith images + history of Frestonia essay by Tom Vague.

Expectations never mattered to Bad Wolves. Instead, the Los Angeles band fused unpredictable metallic intensity and impressive instrumental proficiency to arena-ready hooks, transforming from underdogs into elite platinum-certified hard rock contenders without compromise or apology. Dear Monsters continues this trajectory with the addition of The Acacia Strain’s Daniel Laskiewicz as lead vocalist.

Written and produced with producers Jack Antonoff and Glass Animals’ Dave Bayley, Dance Fever sees Florence at the peak of her powers, coming into a fully realized self-knowledge, poking sly fun at her own self-created persona, playing with ideas of identity, masculine and feminine, redemptive, celebratory, stepping into her place in the iconic pantheon.

On his ninth studio album, Matt Andersen has drawn from the best roots music has to offer over his decades-long career: down and dirty blues, heart-wrenching soul, life-affirming gospel, and introspective singer-songwriter balladry. These sounds, textures, and influences are laid bare on House to House.

Amyl and the Sniffers’ unrelenting, jaw dropping live show has propelled them to must see status and prompted The Guardian to declare AATS “the single most exhilarating rock’n’roll show I’ve seen in years.” Comfort To Me is somehow both heavier and more awesome than their debut and fully captures the chaotic energy of their legendary live show. Available on Clear Smoke double vinyl.

An eclectic collection of new originals and interpretations,12th of June highlights the dynamics of Lyle and his Large Band– and their singular ability to shift from one genre to the next with uncanny grace and ability. From beautiful acoustic ballads to swinging big band numbers, this record will remind listeners why Lyle is national musical treasure.

Phototroph is by far Moon Tooth’s most energetic and “poppy” release to date… in the best way possible. It sees the band double down on the more saccharine and bouncy elements of their upbeat and unrestrained brand of progressive metal while cutting some of the “technical fat” to create a moving, emotional, and at times danceable album.

This is Delbert's 27th studio album, and a bit of a return to his roots. While Delbert wrote just a handful of songs on the album, he puts his unmistakable footprint and charm on classics and deep cuts from some of his favorite songwriters such as Hank Williams and Jimmy Reed, pulling from across traditional blues, honky tonk, R&B, and more.

Russell County, Virginia-based 49 Winchester is ready and roaring to break onto the national scene with its unique brand of tear-in-your-beer alt-country, sticky barroom floor rock-n-roll, and high-octane Appalachian folk. At its essence, this is about going against all odds to bring your art into fruition and into the world - come hell or high water.

Spell 31 is the French Afro-Cuban twin sisters’ boldest offering yet, an antidote to apathy in a divided world. Ethereal, crystalized signature Ibeyi harmonies are fused with gospel, persuasive percussion, momentous deeply resonant bass, and electronic neo soul expressions, transporting us into a sublime rawness that is refined by Richard Russell's precise hand and synthesized into astonishing clarity.

Written, recorded, and released during a critical historical juncture, Arcade Fire’s sixth studio album is divided into two distinct sides, “I” and “WE.” If the “I” side of the record evokes and embodies our holed-up anxiety and lack of physical connection, the “WE” side captures the excitement of new possibilities and the elevating thrill of committing to one another socially and personally.

This eclectic collection of masterfully crafted covers includes epic re-imaginings of classics like "Wind of Change" by the Scorpions, "Take a Chance on Me" by Abba, and "Beds are Burning" by Midnight Oil; and features collaborations with artists like Portugal the Man, Brandon Boyd of Incubus, Jewel, Beck, Taylor Hanson & more. Available on one-of-a kind, recycled colored vinyl, mystery colored cassette and CD.

Introduced to the world ten years ago, Sandé has become an icon of British singer-songwriting; emotional, honest, and prolific. Now, Sandé has freed herself from the expectations of others in order to make an album of expansive creativity. Something of an artistic rebirth, it draws on old familiarities and brave beginnings, uniting fans old and new in her endless drive to use music as a tool for inspirational lift.

This is a classic Belle and Sebastian album preoccupied with songs and melodies that won't leave your head. It's a band tackling the insight, experience and responsibility that come with getting older with humor and irreverence and lyrical exactitude and musical bravado. It's one of the UK's most beloved pop portraitists asserting themselves as an infallible source of energy and fun.

Memories of unrequited love, fits of longing, instances of anxiety, and unfiltered snapshots interlock like puzzle pieces into a mosaic of well-worn country, '90s-style alternative, and unassuming pop. Waterhouse writes the kind of tunes meant to be grafted onto dusty old vinyl from your favorite vintage record store, yet perfect for a sun-soaked festival stage.

Filled with moments of relentless energy throwing back to their punk and hardcore roots to visionary moments of modern heavy, Misery Made Me fastens the group's status as torchbearers of the scene on all fronts. It's both intriguing and inspiring that a band - who could have merely rested on the impressive legacy they've already cemented - would continue to dig deep and find the inspiration to reach people in meaningful new ways.

Following on from her 2018 album, Awake (#1 ARIA Dance Album, #1 Billboard Top Dance/Electronic Album), Alison Wonderland returns with her first record in four years, Loner. Featuring "Fuck U Love U," "Fear Of Dying," "New Day," and more, it’s a display of mystical, wobbly synths, gut wrenching bass and lyrics inspired by romantic loss.

An instrumental masterpiece disguised as a movie soundtrack (Werner Herzog’s 2005 documentary Grizzly Man), this is Thompson at his natural best. Finger-picking dance; snake-curl twang and singing-wire harmonics in a solo clarity that runs from jig-like joy to deep-note meditation. The “Grizzly Man” blues march to the long night of “Treadwell No More,” a harrowing darkness in slicing treble and tremolo shiver.

With a laid-back, speak-singing delivery, “SingleWide Dreamer” immediately conveys Raitiere’s contentment in living a low-key life. And although every song on the album could be considered a love song in its own way, what really ties them together is his observant writing, which is sometimes reflective, sometimes irreverent, but always inspired by his own experiences. Co-produced by Anderson East and Miranda Lambert.