2021 reissue of Queen guitarist Brian May's first solo album Back To The Light, originally released in 1992. Newly re-mastered by Bob Ludwig from original tapes and overseen by Brian May, the album will also be presented in a limited Collector’s Edition box set, which features an exclusive white vinyl LP, two CDs, a 32-page book, a 12” art print, a download card and an enamel badge.

All Things Must Pass was Harrison's first release following the acrimonious falling apart of the Beatles. Co-produced by the unhinged genius that was Phil Spector, it features his biggest solo hit in 'My Sweet Lord'. With its 50th Anniversary, All Things Must Pass is being celebrated with a suite of new releases highlighted by a stunning new mix of the classic album by Grammy Award-winning mixer/engineer Paul Hicks, overseen by executive producer Dhani Harrison.

The Wandering Hearts headed deep into the Catskills, where producers Simone Felice and David Baron hosted experimental and spiritual sessions in a studio packed with vintage instruments. The album echoes the timeless songcraft of Fleetwood Mac and Simon & Garfunkel with the pure passion of Jade Bird and The Lumineers. It’s a record that celebrates life, new beginnings, and striving to shine through a darkening world.

Magic, miracles, ghosts, world leaders; these days it seems there is little left to believe in. Lies outweigh truth and even truth can be dangerous. Raising everyone's spirits Already Dead - the fourth album and the first for nine years from Willy Mason - explores honesty and deception, anonymity in the digital age, good intentions with unexpected consequences, freedom, colonialism, love, god, and purpose because, its storyteller says, now is the time to restore some much-needed faith.

Hippo Campus’ first new music since their 2018 sophomore album Bambi finds the band at their most honest and vulnerable to date, with five new intensely cathartic tracks tinged with confessions and dark humor. It's a collection of songs that came together with ease, and without pressure -- a wildly different experience than the typical recording process. It’s a celebration of brotherhood, and the “all for one, one for all” mentality that has permeated Hippo Campus’ work since the very beginning.

In contrast with earlier work that riffed on short-term love affairs, as well as “kissing the right one good-bye,” the writing on Thorn’s newest release features music from a man who is with the “right one” and is happy to be there. On Never Too Late to Call we find mellower Thorn. The razor wit and the gently humorous commentary on life’s existential questions are in evidence, but here there is a peace about his life’s journey. Or, to put it in his words, “I’ve been such a lucky boy. I’m crying two tears of joy.”

Thirstier marks a turn towards a bigger, more bombastic sound for Torres. Guitar-driven walls of sound, reminiscent of producer Butch Vig’s work with Garbage and Nirvana, surge and dissipate like surf in high winds, carrying Scott’s commanding voice to the fore. From the sparkling country romp of “Don’t Go Puttin Wishes in My Head” to the sour grunge bite of “Keep the Devil Out” and the unabashed, overflowing devotion of the album’s title track, Thirstier clasps together love songs from all angles.

Mega producer of the stars (T. Swift, Lorde, Clairo) Jack Antonoff's third album as Bleachers, is a heartfelt batch of tracks written with boundless enthusiasm for those grand, euphoric moments of our lives. Unstoppably catchy hooks push their way through boisterous, stadium-rocking arrangements, making it an all-caps endeavor. When he’s not serving some of pop’s most visionary artists, Antonoff is someone earnest who knows how to translate his nostalgic longing into passionate sing-alongs.

Electro Melodier takes a slight turn from 2019’s politically pointed Union to a series of songs that asks questions rather than demanding answers – think of “Living in the U.S.A.” as Farrar’s version of Bruce Springsteen’s “Born in the U.S.A.,” Neil Young’s “Rockin’ in the Free World” or Patti Smith’s “People Have the Power,” an anthem to unite the populace. It all helps remind us to be thankful of what we still have – new music from Jay Farrar and Son Volt, 25 years on.

LA’s Los Lobos are influenced by rock and roll, Tex-Mex, country, zydeco, folk and traditional music such as cumbia, boleros and norteños. With Native Sons, the band set out to showcase all of these influences with their own take on the songs of Los Angeles. Featuring 13 songs from well-known LA artists such as Buffalo Springfield, WAR, Jackson Browne and the Beach Boys as well as deep cuts from the Jaguars, The Basters and The Premiers.

Leave A Scar is an illuminating plentitude of angst etched in time, serving as a musical refuge and expressive output for the legendary heavy metal vocalist and pop culture pillar Dee Snider. This auditory time capsule written to express the anger, unease and pain he experienced during lockdown emerges as not only blisteringly heavy, but relentlessly powerful. If 2018’s For The Love Of Metal ignited Snider’s eminent surge into a new era, Leave A Scar sets it ablaze.

Game Changer opens with all the subtlety of a kick to the throat. “On the Horizon’s” bombastic drumming (Chris Lepre) pummels while the twin guitars’ (Tony Lepre and Billy Sablan) one-two punch set up a snarling detour into old school Testament thrash riffage. The tone is set – pure, melodic mayhem. 70’s riff rock to early 80’s east and west coast metal, Game Changer is a work of art the appeals to al metalheads, old and new school fans alike.