Straddling the line between ‘80s parody and homage, Sob Rock, Mayer’s eight full length, embraces the guitar and synth mesh of the soft and yacht rock varieties. Recorded during the pandemic (with legendary producer Don Was) as an offering of comfort in these trying times - it’s a warm blanket of breezy tracks in which listeners can sink into and enjoy a smooth trip back to the “before” times.

To accompany the unrestrained awesomeness of DC’s Dark Nights: Death Metal comic series, executive producer/composer Tyler Bates (Guardians of the Galaxy, John Wick) presents the Dark Nights: Death Metal Soundtrack. Directly inspired by the comic series’ storyline, the diverse soundtrack illuminates the darkest corners of each DC character’s psyche.

Written and recorded in upstate New York at Allaire Studios, Sling was co-produced by Clairo and Golden Globe/GRAMMY Award-winning producer Jack Antonoff (of fun.). Featuring “Blouse”, the crushing ballad with Lorde on backing vocals. Available in various formats, including indie exclusive dark green vinyl, cassette, and as five limited edition box sets.

"It's real peaks and valleys with me," Nathan Williams says. "I can be super optimistic and I can feel really good, and then I can hit a skid and it's like an earthquake hits my life, and everything just falls apart. Some of it is my own doing, of course." It's this self-awareness that permeates each of Hideaway's songs, marking them each as mature reckonings with who he is. Produced by Dave Sitek of TV On The Radio.

Dave McMurray made his Blue Note debut in 2018 with Music Is Life, an album that focused largely on his own assertive original tunes. Now, the saxophonist returns with Grateful Deadication, a cover album that turns one of the most celebrated catalogs in rock songwriting into a vehicle for his own jazz expression.

Republic Records present the soundtrack to Space Jam: A New Legacy, the mega-anticipated animated/live-action film. Featuring the hit single, “We Win", which debuted at #1 on the Billboard Hot Gospel Songs chart and united multiplatinum GRAMMY® Award-nominated rapper Lil Baby with 16x GRAMMY® Award-winning multiplatinum gospel icon Kirk Franklin.

Released on their own newly formed label, Dedstrange, Hologram is a sonic return to Stranger’s rawest, most unhinged sound. With songs addressing the decay of connections, friendships lost, and the trials and tribulations of these troubled times, Hologram serves as an abstract mirror to the moment we live in.

“I think everybody – no matter what side of the aisle you’re on – wherever we’re going to next, we're all taking a lot of exit wounds with us,” Dylan says. “Nobody is the same as they were four years ago. That, to me, is what Exit Wounds signifies… wherever you’re headed, even if it’s to a better place, you leave people and things behind, and you think about those people and those things and you carry them with you. Those are your exit wounds. And right now, we’re all swimming in them.”

Since forming in high school, Brisbane band The Goon has been celebrated for their unpretentious, kinetic homemade pop. Mirror ll, The Goon Sax's third album and first for Matador, is something else entirely: a new beginning, a multi-dimensional eclectic journey of musical craftsmanship that moves from disco to folk to no wave skronk with staggering cohesion. Gone are the first-person insecurities of their school days - they've been made expansive, more universal, more weird.

Following the release of her critically acclaimed album, Nashville-based singer-songwriter and producer Joy Oladokun unveils the "complete" installment of her album series, in defense of my own happiness. The timeless body of work eloquently exudes Joy's deep emotions and confessional leanings as a black woman living in America. This is only the start of a breakout year for the fast-rising Nigerian-American songstress.

When opening for his brother Chris’ band, Medeski Martin & Wood, Oliver was invited to sit in. Soon thereafter, The Wood Brothers were born. They’ve since gone on to release seven studio albums and earn a Grammy Award-nomination. Until 2020, Oliver had never stepped out under his own name as a solo artist. Always Smilin' is a strong opening statement from Oliver as a solo artist, and one that sets him apart as an accomplished singer and songwriter outside of his day job with The Wood Brothers.

Almost 50 years after the sessions that would make them an “accidental Texas supergroup” (Rolling Stone), The Flatlanders have returned with their first new album in more than a decade. The iconic trio serve up a rollicking collection of twang-fueled, harmony-laden performances full of wry humor and raw heartbreak. While a few songs here are never-before-heard originals, the vast majority of Treasure of Love consists of tunes the band picked up during their half-century together.

Lu's Jukebox is a six-volume series of mostly full-band performances recorded live in-studio in Nashville, TN. Each volume features a themed set of songs by other artists curated by Williams, the multi-Grammy award winner. The series aired as ticketed events in late 2020 with a portion of sales benefitting independent music venues struggling to get through the pandemic. Vol. 2: Southern Soul features a collection of classics from Ann Peebles to Al Green to Otis Redding and more.