![Sublime - $5 At The Door [Colored Vinyl] (Org)](https://mediacdn.aent-m.com/prod-img/500/17/4368517-3229035.jpg "$5 At The Door [Colored Vinyl] (Org)")
|
Formats and Editions
1. Don't Push
2. Right Back
3. New Thrash
4. Work That We Do
5. 40Oz. to Freedom
6. House of Suffering
7. Badfish
8. Leaving Babylon
9. Prison Oval Rock
10. We're Only Gonna Die for Our Arrogance
11. Let's Go Get Stoned
12. Pool Shark
13. S.T.P
14. I'm Not a Loser
15. Scarlet Begonias
16. Loving
17. Good Hole College
18. Cost of Living
19. D.J.'s
20. Saw Red
21. Jah Is My Light
22. Greatest Hits
23. Jailhouse
24. 54-46 That's My Number
25. Date Rape
26. Ebin
27. Youth Are Getting Restless
28. Romantic Girl
29. Winner Takes All
30. Myage
31. Slow Ride
More Info:
One of Sublime's most bootlegged shows gets an official release! $5 At The Door (Live At Tressel Tavern, 1994). A fan-favorite concert featuring 26 tracks digitally restored and mastered. This show is raw, authentic and true Sublime. Though they have come to be one of the defining bands of the '90s, and an entire era of alt-rock, the number of people who actually got to see Sublime live in their heyday is remarkably small. They wouldn't experience their major breakthrough until the tragic death of Bradley Nowell, so most of their shows up until the immediate tours after 40oz to Freedom started gaining traction a year after it's release took place in impromptu settings at house parties, barbecues, and bars. There have been many, many bootlegs produced of these shows, but none can boast what $5 at the Door"=" Though they have come to be one of the defining bands of the '90s, and an entire era of alt-rock, the number of people who actually got to see Sublime live in their heyday is remarkably small. They wouldn't experience their major breakthrough until the tragic death of Bradley Nowell, so most of their shows up until the immediate tours after 40oz to Freedom started gaining traction a year after it's release took place in impromptu settings at house parties, barbecues, and bars. There have been many, many bootlegs produced of these shows, but none can boast what $5 at the Door does: It's the best sounding live recording of the band at their pre-Sublime prime, capturing their 1994 set at Tressel Tavern, as they knock out Grateful Dead covers and sound like a runaway train car that is laying it's own track as it rambles down the tracks.
